








I Still Can See, transforms everyday domestic objects—such as kitchen tools and even the knife—into potent symbols that expose the hidden struggles of women. By recontextualizing these familiar items, the work challenges the societal expectation that confines women to domestic roles, revealing how internalized oppression is woven into everyday life. It highlights the unsettling duality of the home: while it is traditionally seen as a sanctuary, for many women it can be a site of danger and threat, where the very spaces meant to nurture become arenas for control and violence. The work also addresses the harsh reality that many women are killed annually by male family members, often under the guise of preserving modesty or asserting ownership over women. This juxtaposition forces viewers to confront the complex interplay between domesticity and violence, urging a reexamination of the power dynamics that shape everyday life.